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Posts Tagged ‘blue and white china’

It’s been a lovely Christmas with all the children together for a couple of days. Now the older two have gone back to their respective homes, it feels more like normality and I’ve started to think less about producing the next meal for the hungry hordes and more about the New Year and where I want to take my stitching.

I’ve largely managed to free myself from the need to finish everything I start, but as well as the unfinished pieces that have served their purpose, whether that’s, “What happens if…” or, ” Given it my best shot but I still really don’t like it…” I still have partly worked projects that I would like to complete. So my focus this coming year is to work with what I have, start new things when it’s appropriate, but be more mindful about moving on the stuff that is still ongoing. In this spirit, here is the Bluework bowl I started in March 2012, which scarily makes it almost a decade old. The last time I posted about it (which was also the last time I actually worked on it) was July 2018 when it looked like this:

Not a lot left to do really, apart from finishing off the cherry blossom and thinking what to put in the final section. The biggest problem with the cherry blossom was finding the thread, or at last a close match, for the branches, but it looks like I’ve either already had that problem or deliberately used slightly different shades to give the impression of depth and shading. I extended the branch into the space above and scattered it with cherry blossom in French knots – a few too many in hindsight as the space looks crammed. I think I’ll probably take them out and restitch the crowded section when I get better light for the unpicking.

I ran through lots of ideas for the last section before settling on a recent favourite – woven feathered chain stitch in what I think is a very softly spun silk. It made the weaving a bit interesting as even with a canvas needle it was almost impossible not to keep piercing the foundation stitches but the sheen on the woven leaves is lovely.

I finished it with woven spiders’ web wheels for flowers in a darker blue Gloriana silk. Apologies for the awful photos but it’s impossible to get decent photographs at the moment – even when it’s light the weather has been so horrible over the last few days that photos outside are nearly as bad as those inside.

So after almost ten years, it’s finished. Well sort of. I’ve already decided to re stitch the cramped cherry blossoms and there are some sections where I’m wondering if it’s a bit too busy and others where perhaps its not busy enough.

Perhaps I’ll keep it on the in progress pile but I certainly will try and get some better photos of it.

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I’ve been stitching various experimental pieces recently and enjoying different ways of working. I’d seen someone on Instagram who had been embroidering fantasy aerial landscapes and I really liked the idea so I printed out a satellite image of part of a walk I enjoy along the River Ancholme between the villages of South Ferriby and Horkstow and decided I’d stitch the section from Horkstow Bridge along the lane to the road.

I drew it free hand onto some calico and then started to fill in the fields with satin stitch and the hedgerows in french knots. I used a slightly slubby silk on the longer field and an odd almost cord-like thread on the smaller one.

I then moved onto stranded silk which gave smoother looking fields. I like the contrast of the slightly textured silk but not so sure about the corded thread…

I also realised that I needed to vary the shades of green in the hedgerows and copses.

The lane from the bridge to the road was added in split stitch. Really not liking the corded thread at all now, but as the French knot hedgerows went right through the edges of the stitches I wasn’t going to be able to easily undo it at this point, so I’m living with it!

Lastly I added the River Ancholme and the drain that runs parallel with it in split stitch. Horkstow Bridge, which is a very early Victorian suspension bridge, is two French knots and a couple of satin stitches (bottom left corner) and I included part of the fields across the river. Off the hoop the tension isn’t great, but it was a lot of fun to do.

Back in 2010 I stitched a piece for our Embroiderers’ Guild Summer Challenge, for which we were given some blue thread, aida and the prompt ‘Blue Pot’. My response was to create some cross stitched ‘shards’ of Victorian blue and white china lying in the ‘soil’

I don’t have it any more because it’s on the cover of the 2010 scrapbook but I do miss it.

So I decided to stitch a mini version featuring the most iconic part of the willow pattern design – the birds.

Once I’d stitched it, I laced it over a couple of pieces of pelmet vilene for rigidity and started to couch various fancy threads around it for the soil.

I also added some patches of split stitch to vary the textures as I’d done with cross stitch on the original.

I wouldn’t normally stitch the same idea twice, but it’s good to have my own miniature version.

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