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Posts Tagged ‘batik’

Finally finished, thanks to all your help, advice and ideas. I settled on a frame of brick fabric over an interfacing core to finish off the canvaswork bricks and a touch of Inktense to intensify the colours. It’s tacked in place here…

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…and slip stitched in place here.

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A closure of some grosgrain ribbon printed with maple leaves and a vintage snap was the final finishing touch, and I can now proudly present the Tattershall Castle Memory Journal.

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Unlike the Anderby Creek Journal this one is folded as a triptych with the bollock purse in the middle.

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And the reverse. The ribbon is stitched to the two folds and passes under the micro quilt which is press studded in place.

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I’m delighted to have finished it and am ready to move onto the third in the series – the Kew Gardens Chihuly Exhibition memory journal. I just have to find the black hole that my evenweave fabric has disappeared into first…

I also had fun making a Fathers’ Day card for a friend’s dad. I really object to the tired old football, beer, cars tropes that get trotted out every year, especially as neither my dad nor my husband are into any of those and neither is my friend’s dad. But he does love the Lake District, so I gathered some scraps of hand dyed fabric and started to experiment.

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A little bit of ironing later and I had this:

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It was a good way of showcasing the different textures as well as the variations in colour and I’m very pleased with the way it turned out.

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It went down very well apparently, so another satisfied customer!

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The last Tattershall piece is underway and coming out exactly as I wanted, even though I wasn’t sure what I did want! I’d set my heart on using a transfer I’d made from a photo in the booklet of some of Tattershall’s bricks but it was what to do with it that had me baffled. Then I thought back to the first visit with my youngest and I immediately recalled the rain storm which we sat out under one of the trees by the shop. Leaves and raindrops, I remembered and it all fell into place.

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The background is some more of the batik I did at our last Guild meeting and the tiny leaves are cut out of some hand painted fabric backed with stabiliser.

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I’m stitching them down with split stitch veins in fine silk before I add the raindrops.

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I’ve also done a fair bit more on the Bright Pyramids needle book. The double dark blue line is the spine and I’m already onto the last hearts and flowers panel. After that I just have four more rows of long-legged cross stitch:  two vertical and two horizontal along the whole width to do before making it up.

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Am still swearing but less often, which must mean I am improving.

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I made a little pair of upcycled butterfly earrings recently which sold to a friend almost as soon as I’d posted about them on Instagram.

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I then had a lot of fun turning a card booklet which had contained a free sample tea bag into bespoke packaging for them!

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The felt on the left is to cushion them when the booklet is shut.

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Contact details on the back and a ribbon attached to the spine with a miniature paper fastener as a closure.

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A very satisfying little make.

 

 

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The pesky last Tattershall piece is still not working out so I started to attach some of the already completed finished pieces to the accordion book in the hope that they would help inspiration to strike. The front cover is glued as it’s paper with a bit of stabilising calico behind.

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Then I added more stitching to the batik bricks in order to sew it to the brick fabric background.

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But still nothing, and I’m not sure how to attach the bollock purse or the canvaswork either, so that has ground to a halt. So I decided to do something completely different and start one of the two Sue Hawkins kits that have been my lock-down treat. The first one is the Bright Pyramid needlebook, purely because I need one and am too lazy to design my own!

There have been a few counting issues and associated bad language, but I’m just over half way through the design and it’s starting to come a bit more easily as bits of the pattern start to repeat.

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I know that the first two lines are not quite long enough – that was an issue I didn’t realise until I had stitched quite a lot of the hearts and flowers band. There was a lot of bad language at that point… I’m working up the enthusiasm to unpick the ends and restitch them.

On the plus side, I really like the braided effect of the long-legged cross stitch bands.

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And if you follow me on Instagram you’ll know that I’ve just become the besotted owner of two more vintage hand cranked sewing machines.

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Sadly one of our elderly neighbours died recently (not Covid) and over the last few days it has been quite upsetting to hear relatives clearing the entire contents of her home into a skip. But with charity shops shut and no boot sales, what else do you do with the remains of a life? However, I was able to rescue, among a few other bits, these incredible machines. As both were locked I had no idea what would be inside until I got them home. It was like opening a treasure chest.

It was the fantastic inlaid but badly damaged case that alerted me to this one:

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The base is damaged as well, but I’m sure I can sort it out. No idea of the maker but I suspect it’s late 1800s, early 1900s in date. And it has mother of pearl flowers inlaid into the base plate!

And as the case was very simple, I almost left this stunning Singer in the skip! Opening the case was a revelation – the chrome is immaculate, the decals and bright and clean and it even has a Singer tin of bobbins etc. in the base compartment.

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We are lucky enough to have a fantastic local sewing machine repairers and once things are closer to normal, this one will be serviced and has already been claimed by my daughter.

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I still need to clean them and look at them properly, but I alternate between elation at how beautiful they are and horror that they very nearly went into landfill.

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The all day batik workshop/play day we had at Scunthorpe Embroiderers’ Guild for our February meeting seems a lifetime ago now but I’ve been working on one of the pieces I created during the session.

With the Tattershall bricks in mind I used a tiny Polish kitska, usually used for creating fine wax resist designs on eggs, to draw a little brick design which I then overdyed with silk paints. 

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 Not too many blobs, but I had plans for them anyway. Covered with masses of french knots, they become patches of moss.  Rough back stitch and odd straight stitches neaten up the batiked lines of mortar. 

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But then it occurred to me that if I covered over all the batik lines there was really no point in the batik. It might as well be embroidery on hand dyed fabric.

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So I decided to embroider part of it but let it fade off at the edges. Ripping the fabric helps too.

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Second piece finished, but I’ve not finished with the bricks quite yet…

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The next memory journal combines two trips I made to Tattershall Castle last summer – the first a bit of quality time with my youngest in July after the end of term and the second to a fabulous tourney and medieval reenactment event in August.

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The first thing that hits you about this unusual castle is the fact it’s made out of warm chestnut coloured brick instead of stone and that extends to features inside like roof vaulting and some of the window surrounds.

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So bricks were the inspiration for this memory journal and canvaswork seemed a good place to start. Although the pattern is simple, as is the tent stitch I used, I put a lot of thought into choosing a range of threads that echoed the different shades in the bricks.

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However there was one thing I bottled out on – the brick bond. My design is a simple Stretcher Bond where you only see the stretchers, or the long faces of the bricks. Tattershall is built using English Bond as you can see below.

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The advantage of that is that instead of getting a wall that is one brick width deep (fine for a modern house), the row of headers give you a wall that is the whole length of the brick deep – much better for a castle.

However, although it may be better for a castle, it was challenging to get it to look in proportion on a canvas grid, so after two attempts I gave up trying to align the ‘bricks’ and concentrated on a simpler pattern instead!

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I keep reminding myself that it’s a creative response to the visit, not a slavish reconstruction, but the perfectionist in me keeps muttering that perhaps I just need to try that English Bond one more time…

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It was a pleasure to finish the little Bossa Nova Rose from our Embroiderers’ Guild Brazilian Dimensional Embroidery workshop last weekend. I didn’t follow the instructions when it came to the leaves, going for fly stitch over blanket stitch and not adding the fine pale green edging it suggested because I felt the sheen of the thread gave enough definition.

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And then quickly finished as a card.

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My first sea glass and pocket watch case pendant positively flew out of my Etsy shop and I’ve started another one to go with a harlequin case of a gold coloured collar and engine turned back. I’ve got some tiny pieces of very rare yellow sea glass and some ordinary brown to add to this.

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I also turned some off cuts of hand dyed fabric, the batik I’m using above and some cotton print in shades of brown into some strip patchwork which I used to cover a grotty looking cabochon pendant…

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…turning it into an upcycled patchwork pendant with added vintage lace and flower trim.

Lots going on!

 

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