The follow on course from the kantha and boro was boro and sashiko and as well as showing various pieces I’ve stitched over the years, I created a new sample piece for this, illustrating how a piece of boro could start to become sashiko.
First, arranging scraps of kimono fabric and indigo dyed cottons onto a cotton base layer. before tacking them down. The partly stitched piece in the middle is a scrap of unfinished sashiko from a very long time ago (2011 to be exact…).
Simple running stitch becomes a rectangular spiral.
The partial sashiko becomes rice stitch and I try my hand at keeping free hand cross stitch regular.
Putting fabric marks in helped with the cross stitch, but I ended up aligning each row of stitches to the previous row and that worked better.
The even rows became boxes.
And a tiny scrap needed some bamboo leaves.
It’s still not quite finished, but it was a pleasure to sew in that rhythmic, mindful way and I do prefer this type of boro/sashiko to stitching the beautiful but almost ‘paint-by’numbers’ of the intricate sashiko designs you get in kits.
And incidentally, our Fabric Fair was a huge success. Considering this was a relatively niche market in small town North Lincolnshire on a Sunday morning, we had a great turn out with locals and people coming from much further afield. There were some great traders with a wide selection of items and it was really positive to see so many people with a love of textiles gathered together.
I’m glad to know the day was a success. The piece does look as though you enjoyed some quiet time with it..
Beautiful tranquil colours as well as stitching. I totally agree with you about the individual, mindful way versus the kits type way.
What a lovely project and so much more satisfying than working with a purchased kit!